Narong Tintamusik is an artist based in Dallas, TX. As a survivor of abuse, his work is often autobiographical. Vulnerability serve as the driving force behind his work, allowing the space to be a site of healing and reclamation. Through painting and its iterations, he makes honest attempts to understand how past trauma reincarnates into various forms in the present. 

Born in Dallas, TX, he lived in Bangkok, Thailand for 10 years. He obtained his Biology undergraduate degree from the University of Texas at Dallas with a minor in visual arts in 2014. He is currently pursuing a Master of Fine Arts degree in Painting and Drawing from the University of North Texas. He has exhibited in group shows locally in Dallas, TX and beyond including Chicago, New York, Canada, and Germany. Solo exhibitions include 500X (Dallas, TX), Plush Gallery (Dallas, TX), Tarleton State University (Stephenville, TX), and Angelina College (Lufkin, TX). He is the recipient of the DeGoyler Memorial Fund (Dallas Museum of Art 2015), Art Walk West Microgrant (West Dallas Chamber of Commerce 2021), and  the Puffin Foundation Grant  (Puffin Foundation 2022). He was a part of artist run gallery 500X from 2019-2022.

In addition to being an artist, Tintamusik is an independent curator where his focus often lies on the ideas of identity, queerness, sexuality, Asian diaspora, figuration, abstraction, fashion, love, and nature. His curatorial projects include To Remember to Speak our Mother Tongue (2022) at Goldmark Cultural Center, Human/Nature (2021) at Fort Worth Community Arts Center, Tree With Half a Root (2021) at Mountain View College, and  Queer Me Now: The Queer Body and Gaze (2020) at 500X Gallery and The MAC. He also started Musik, a virtual curatorial platform that offers solo exhibitions to artists without gallery representation through invitational and open calls from August 2020 - November 2021. 

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